Monday, July 6, 2015

Experiment 3 - Navigation



EXPERIMENT 3 - "THE BRIDGE"
NAVIGATION








Experiment 3 - Final Submission




"THE BRIDGE"
UNSW LOWER CAMPUS REDEVELOPMENT




5 Significant Images:

NORTH FACADE - The architecture itself is influenced directly by a set of existing conditions. The floor plates cantilever out over one another on the North side to optimise sun-shading. Vast amounts of glass on the North-facing facade allows for sun access in Winter with relatively good thermal comfort in Summer.


SOUTH FACADE - The form takes on the shape of an "Architectural Mountain". A series of tiered spaces operate both vertically and horizontally in order to promote chance interaction and collaboration between students. Like a mountain, it naturally acts as wind block, reduces noise within the rest of the campus, and allows rainwater to filter down into the "green spaces" without the need for irrigation.


Rooftops become dense urban gardens and walkways which provide a constant connection to the environment. Outdoor community gatherings are made possible and seating provides a place for students to study or relax.


The "walk-through' exhibition space on the ground floor provides an opportunity for public interaction with showcased student work. The form is designed to seamlessly integrate human flows, whilst still retaining access to the existing UNSW Roundhouse. 



THE BRIDGE - The new redevelopment of the UNSW Lower Campus brings with it an opportunity to bring together art, performance and design by bridging NIDA and UNSW. The new Architecture School's mixed-use and adaptable spaces maximise collaborative learning and cultural diversity between two close neighbours. The Bridge's minimal design is designed so that it doesn't detract from the building itself, whilst still staying true to the curvy nature of the architecture. 








Other Images:
EXTERIOR






INTERIOR

GROUND FLOOR - Exhibition Space
2ND FLOOR - Studio Spaces and Meeting Rooms


3RD FLOOR - Computer Labs and Library








3D Warehouse:





Download Links to 3D Warehouse and Lumion Environment: 





Sunday, June 28, 2015

Experiment 3 - The Moving Elements





Movable Roof:



When closed, the roof can allow the space to act as a regular lecture theatre with protection from the elements. When open, the space is transformed into an open-air theatre with access to sunlight. It's movable nature means that the theatre can also be used as an multipurpose open-air theatre for NIDA performances and practices, therefore unifying the gap between campuses. 





Actuating Seating:


LECTURE ARRANGEMENT - Actuators push the seating upward in a lecture theatre arrangement. This seating would also be suitable for guest NIDA performances. 
EXHIBITION ARRANGEMENT - The actuators lower all of the seats onto a flat plane, as to increase floor area. This provides for an adaptable rooftop deck/forum space when not being used for lectures.
LOOKOUT ARRANGEMENT - The actuators raise all of the seats once again, but this time in reverse to the "Lecture" arrangement, with the stepped seating facing outward. This is to maximise the views of the city skyline in the direction that it faces and to utilise the view from the 4th floor.




Experiment 3 - 36 Textures




The above textures were both hand-drawn with Artline pens, and digitally drawn using a Wacom tablet utilising Photoshop brushes. The "Grow" series was created by taking original photographs of organic forms, and manipulated in Photoshop.



TEXTURES USED IN MODEL:


LEFT: Used in flooring throughout. Its appearance mimics the high-quality finish of marble, whilst also directing the users through the space. Drawn from the flow series, the texture reinforces the 'Flow Infiltrates Form' theory that I have proposed.

MIDDLE: This texture was used as a map to create the glass 'bands' that wrap around the facade of the building.

RIGHT: Used in the flooring of the rooftop lecture space. The explosive texture plays on the look of the architecture as a sort of volcano, whilst simultaneously leading the users eyes both outward and inward, either to the lookout or towards the lecturer.





Experiment 3 - Precedent Study




PLAN & SECTION IDEAS:

Walt Disney Concert Hall (Frank Gehry) - Plan
Walt Disney Concert Hall (Frank Gehry) - Section


Guangzhou Opera House (Zaha Hadid) - Plan

Dongdaemun Design Plaza (Zaha Hadid) - Plan

Guangzhou Opera House (Zaha Hadid) - Section




Comic Museum (MVRDV) - Plan




EDUCATIONAL BUILDINGS:




NeW Space - Section


Flexible open environments provide for social learning experiences





SUSTAINABLE DESIGN IDEAS:

"Form follows flow" - Battersea Power Station Plaza by BIG

Utilising natural light

Lightweight building skin for daylight and natural ventilation




 MOVING ELEMENT INSPIRATION:








Experiment 3 - Design Development





Studying possible above ground circulation routes to form "The Bridge" enabled a new investigation into major public spaces and where the architecture should 'focus' upon. This happened to be on the south side of the existing design labs, a point where all pedestrian movement is concentrated.




TOP LEFT: An analysis of the existing structures of primary concern for the project are highlighted in purple. The major paths of circulation are highlighted in red, thereby reinforcing the need for a more efficient circulation strategy which moves between NIDA and UNSW Lower Campus. The major public spaces on the Southern side (Green) need to be a focus in the design, where pedestrian movement and shaded study occurs.

TOP RIGHT: Further studies of existing circulation and the possibility of a more efficient route for pedestrian circulation through a more unified campus.

BOTTOM LEFT: Proposal for major points of circulation (Blue).

BOTTOM RIGHT: Possible form above ground should consist of tiered levels which form an architectural "mountain".




LUMION DRAFT MODEL 1 - Ridid geometry as an attempt to create flow. The facade faces north, with a new ground plane which bridges NIDA and UNSW.





The first image above shows the relationships and significant connections that I established between the major spaces. This investigation proved that the most efficient Architecture campus should have the studio space/s at the core of the architecture (Image 2), thereby catalysing creativity and collaborative learning.





Initial draft section showing the concept of my design. In line with my study of the spaces and their arrangement, I have placed the studio spaces on the same plane as the bridge. This is to create a new 'ground' plane above the physical ground, reminiscent of Richard Goodwin's lecture on Porosity, whilst also being central to the surrounding spaces. A lecture theatre will have a moveable roof which can open to receive daylight, and providing the possibility of staging NIDA stage performances.








LUMION DRAFT MODEL 2 - Curvilinear forms were needed to allow for the most efficient pedestrian flow through the building. A number of tiered outdoor spaces are formed, which aim to introduce nature above the ground plane.